______
WRITING 
Program Notes on William Wellman for Il Cinema Ritrovato
A Precarious Preamble: Supplemental Text for Online Release of TRAVELING LIGHT
2012 Highlights: On Earning a Living and Making Movies
Raul Ruiz’s POINT DE FUITE
Fantasy Double Feature: Owen Land & John Carpenter
The Camera Moves #5: Hugo Fregonese’s BLACK TUESDAY
______
EDITORIAL WORK
Allan Dwan: A Dossier (co-edited with David Phelps; 460 pages, 46 articles, 39 authors)
William A. Wellman: A Dossier (co-edited with David Phelps; 187 pages, 19 articles, 16 authors)
Tony Scott: A Moving Target (co-edited with Daniel Kasman)
      - Project Description and Index
      - Movement A
      - Movement B
______
WRITING in IMAGE ESSAYS
William A.Wellman’s GOOD-BYE, MY LADY
The Great Wellman’s Ladies: Preliminary Findings
Jerry Lewis’ HARDLY WORKING
Joe Dante’s MATINEE 
re: FILM SOCIALISME

______

WRITING 

Program Notes on William Wellman for Il Cinema Ritrovato

A Precarious Preamble: Supplemental Text for Online Release of TRAVELING LIGHT

2012 Highlights: On Earning a Living and Making Movies

Raul Ruiz’s POINT DE FUITE

Fantasy Double Feature: Owen Land & John Carpenter

The Camera Moves #5: Hugo Fregonese’s BLACK TUESDAY

______

EDITORIAL WORK

Allan Dwan: A Dossier (co-edited with David Phelps; 460 pages, 46 articles, 39 authors)

William A. Wellman: A Dossier (co-edited with David Phelps; 187 pages, 19 articles, 16 authors)

Tony Scott: A Moving Target (co-edited with Daniel Kasman)

      - Project Description and Index

      - Movement A

      - Movement B

______

WRITING in IMAGE ESSAYS

William A.Wellman’s GOOD-BYE, MY LADY

The Great Wellman’s Ladies: Preliminary Findings

Jerry Lewis’ HARDLY WORKING

Joe Dante’s MATINEE 

re: FILM SOCIALISME

______

HERE’S TO THE FUTURE! (coming 2014/2015)
______

STARTING SKETCHES #7 (coming 2014/2015)
______

ALL SHOOK UP (2013), 8 minutes 27 seconds
______


MR. ROGERS’ NEIGHBORHOOD (2012), 13 minutes 34 seconds
______

SP(EYE) GAM3Z (2012), 5 minutes 55 seconds
______

PHYSICAL INSTINCTS (2012), 9 minutes 31 seconds
______

DIGITAL DESTINIES (2012), 12 minutes 11 seconds
______

WRECKLESS MOMENTS, MEMORIES MADE (2012), 18 minutes 7 seconds
______


TRAVELING LIGHT (2011), 59 minutes
______

FOR VM (2011), 1 minute 2 seconds
______

4’ 8 1/2” (2011), 9 minutes 43 seconds 
______

A LITTLE DEATH (2010), 79 minutes
______

STAGES (2009) w/Meerkat Media, 82 minutes

______

HERE’S TO THE FUTURE! (coming 2014/2015)

______

STARTING SKETCHES #7 (coming 2014/2015)

______

ALL SHOOK UP (2013), 8 minutes 27 seconds

______

MR. ROGERS’ NEIGHBORHOOD (2012), 13 minutes 34 seconds

______

SP(EYE) GAM3Z (2012), 5 minutes 55 seconds

______

PHYSICAL INSTINCTS (2012), 9 minutes 31 seconds

______

DIGITAL DESTINIES (2012), 12 minutes 11 seconds

______

WRECKLESS MOMENTS, MEMORIES MADE (2012), 18 minutes 7 seconds

______

TRAVELING LIGHT (2011), 59 minutes

______

FOR VM (2011), 1 minute 2 seconds

______

4’ 8 1/2” (2011), 9 minutes 43 seconds 

______

A LITTLE DEATH (2010), 79 minutes

______

STAGES (2009) w/Meerkat Media, 82 minutes

______
WRITING 
Program Notes on William Wellman for Il Cinema Ritrovato
A Precarious Preamble: Supplemental Text for Online Release of TRAVELING LIGHT
2012 Highlights: On Earning a Living and Making Movies
Raul Ruiz’s POINT DE FUITE
Fantasy Double Feature: Owen Land & John Carpenter
The Camera Moves #5: Hugo Fregonese’s BLACK TUESDAY
______
EDITORIAL WORK
Allan Dwan: A Dossier (co-edited with David Phelps; 460 pages, 46 articles, 39 authors)
William A. Wellman: A Dossier (co-edited with David Phelps; 187 pages, 19 articles, 16 authors)
Tony Scott: A Moving Target (co-edited with Daniel Kasman)
      - Project Description and Index
      - Movement A
      - Movement B
______
WRITING in IMAGE ESSAYS
William A.Wellman’s GOOD-BYE, MY LADY
The Great Wellman’s Ladies: Preliminary Findings
Jerry Lewis’ HARDLY WORKING
Joe Dante’s MATINEE 
re: FILM SOCIALISME

______

WRITING 

Program Notes on William Wellman for Il Cinema Ritrovato

A Precarious Preamble: Supplemental Text for Online Release of TRAVELING LIGHT

2012 Highlights: On Earning a Living and Making Movies

Raul Ruiz’s POINT DE FUITE

Fantasy Double Feature: Owen Land & John Carpenter

The Camera Moves #5: Hugo Fregonese’s BLACK TUESDAY

______

EDITORIAL WORK

Allan Dwan: A Dossier (co-edited with David Phelps; 460 pages, 46 articles, 39 authors)

William A. Wellman: A Dossier (co-edited with David Phelps; 187 pages, 19 articles, 16 authors)

Tony Scott: A Moving Target (co-edited with Daniel Kasman)

      - Project Description and Index

      - Movement A

      - Movement B

______

WRITING in IMAGE ESSAYS

William A.Wellman’s GOOD-BYE, MY LADY

The Great Wellman’s Ladies: Preliminary Findings

Jerry Lewis’ HARDLY WORKING

Joe Dante’s MATINEE 

re: FILM SOCIALISME

______

HERE’S TO THE FUTURE! (coming 2014/2015)
______

STARTING SKETCHES #7 (coming 2014/2015)
______

ALL SHOOK UP (2013), 8 minutes 27 seconds
______


MR. ROGERS’ NEIGHBORHOOD (2012), 13 minutes 34 seconds
______

SP(EYE) GAM3Z (2012), 5 minutes 55 seconds
______

PHYSICAL INSTINCTS (2012), 9 minutes 31 seconds
______

DIGITAL DESTINIES (2012), 12 minutes 11 seconds
______

WRECKLESS MOMENTS, MEMORIES MADE (2012), 18 minutes 7 seconds
______


TRAVELING LIGHT (2011), 59 minutes
______

FOR VM (2011), 1 minute 2 seconds
______

4’ 8 1/2” (2011), 9 minutes 43 seconds 
______

A LITTLE DEATH (2010), 79 minutes
______

STAGES (2009) w/Meerkat Media, 82 minutes

______

HERE’S TO THE FUTURE! (coming 2014/2015)

______

STARTING SKETCHES #7 (coming 2014/2015)

______

ALL SHOOK UP (2013), 8 minutes 27 seconds

______

MR. ROGERS’ NEIGHBORHOOD (2012), 13 minutes 34 seconds

______

SP(EYE) GAM3Z (2012), 5 minutes 55 seconds

______

PHYSICAL INSTINCTS (2012), 9 minutes 31 seconds

______

DIGITAL DESTINIES (2012), 12 minutes 11 seconds

______

WRECKLESS MOMENTS, MEMORIES MADE (2012), 18 minutes 7 seconds

______

TRAVELING LIGHT (2011), 59 minutes

______

FOR VM (2011), 1 minute 2 seconds

______

4’ 8 1/2” (2011), 9 minutes 43 seconds 

______

A LITTLE DEATH (2010), 79 minutes

______

STAGES (2009) w/Meerkat Media, 82 minutes

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